Creative Media Production.
Source: http://www.earlycinema.com/pioneers/lumiere_bio.html : accessed on 11/9/2012
Auguste and Louis Lumière - Famous quote: 'The cinema is an invention without any future.'
Film-making history -
Their father, Antoine Lumière, an artist, set up his own business involving manufacturing photographic equipment. Louis joined him in the business and started experimenting with the equipment. He then discovered how to develop the photography with a process known as dry-plating. The brothers ended up producing about 15,000,000 of these dry-plates every year.
They then managed to recreate their own version of a Kinetoscope, originally invented by Thomas Edison, in a way that would overcome the problems they had with it. They combined a camera, printer and projector and named it 'Cinematographe'. Thus managing to create the first moving picture in 1894 with a screening so that it wasn't just a one person experience as the original Kinetoscope allowed.
Source: http://www.earlycinema.com/pioneers/melies_bio.html : accessed on 11/9/2012
Georges Méliès -
Georges education consisted of stage design, puppetry and at his parents' insistence, he studied English in London. When he returned to Paris Georges worked as an illusionist with performances centred around magic. He did this full time.
Around 1895 the Lumière brothers made a presentation of their 'Cinematographe' and showed it to the public. Georges was in the audience. After the show he wanted to buy one of their machines but was turned down. Determined, he managed to get hold of a camera and then built his own. He presented his first ever film in 1896.
Georges was the one to discover stop trick photography and he did this by accident when his camera jammed when filming, he corrected it within seconds but when looking back at the film he was amazed at the effect the incident had. He used this idea to create further special effects such as a split screen and dissolve.
He was known as a 'cinemagician' and was one of the first filmmakers to use nudity in a production. A lot of his film productions included science fiction, fantasy and horror.
Source: http://www.screenonline.org.uk/people/id/449633/ : accessed on 12/9/2012
George Albert Smith -
His films show how quickly he acquired an understanding of how to work within confines of seventy-five feet.
He showed subjective and objective points of view.
In camera editing; post-production editing; static camera.
Source: http://www.earlycinema.com/pioneers/porter_bio.html : accessed on 12/9/2012
Edwin S. Porter -
Life of an american firefighter -
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The film uses actors and it has a storyline; the characters are developed throughout the story.
Special effects composite.
There is a linear narrative. He's following the action of the film and he uses the action to take the audience from one place to another.
The Great Train Robbery -
The film is a lot longer than his previous film, he had some scenes that were long and some that were short, he failed to generate a pace which cost him his audience's attention.
There was a lot more action in this film and he followed the action throughout the story. He also started moving the cameras.
Source: http://www.imdb.com/name/nm0474487/bio : accessed on 12/9/2012
Lev Kuleshov -
Excellent. Lots of information and comment on the films with sources provided. A great sttart.
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